1. for / prepare / American / Chiristmas. / of / a / things / lot→2.hero / George Washington / famous / a/18th / of / was / century. / the / American→3.and / people / dances / dances / fireworks. / w...

CC

Cá con x Aki

2 tháng 12 2021

1. for / prepare / American / Chiristmas. / of / a / things / lot→2.hero / George Washington / famous / a/18th / of / was / century. / the / American→3.and / people / dances / dances / fireworks. / watch / Vietnamese / lion / often Tet, / at→4.offices / worker / houses. / construction / builds / a / and→ 6. I am not interested in maths→ I don't not_______________________________7. My cousin is a sales assistant→ My cousin works ___________________________8. My house has three bedrooms→...

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#Tiếng anh lớp 6

0

4D

45 Đỗ Hoàng Việt

20 tháng 4 2022

III. Use the notes to make sentences about the famous American, George Washington.1. George Washington/first president/USA=> George ____________________________________________________________2. born/1732./general/1775=> He was ____________________________________________________________3. fought/many battles/against/British=> He ________________________________________________________________4. His army/won/Battle of Yorktown/1781./last battle/war=> His army...

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#Tiếng anh lớp 6

3

DK

Dang Khoa ~xh

20 tháng 4 2022

1. George Washington is the first president in the USA

2. He was born in 1732 and died in general 1775

3. He was found to have many battles against the British

4. His army won the Battle of Yorktown in 1781. It was the last battle war

5. He became the president of the United States of America in 1789.

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TH

⚡⚡⚡...Trần Hải Nam...⚡⚡⚡

20 tháng 4 2022

1 George Washington is the first president in the USA

2 He was born in 1732 and died in general 1775

3 He was found to have many battles against the British

4 His army won the Battle of Yorktown in 1781 which is the last battle war

5 He became the president of the United States of America in 1789

Đúng(1)

LQ

Lê Quỳnh Anh

29 tháng 9 2017

Read the following passage and mark the letter A, B, C, or D to indicate the correct answer to each of the questions. Before photography was invented in 1839, painted portraits, and engravings based on them, were one of the few ways to record likenesses. From the Colonial era through the 1820s, portraiture was the most widely practiced genre of American art, and it continued to be a significant form through the 19th century. The demand for likenesses was incessant, and portraiture was...

Đọc tiếp

Read the following passage and mark the letter A, B, C, or D to indicate the correct answer to each of the questions.

Before photography was invented in 1839, painted portraits, and engravings based on them, were one of the few ways to record likenesses. From the Colonial era through the 1820s, portraiture was the most widely practiced genre of American art, and it continued to be a significant form through the 19th century. The demand for likenesses was incessant, and portraiture was often the primary source of income for artists. Artists frequently made portraits of famous people to attract interest and potential patrons. For example, in 1834 Chester Harding painted frontiersman Davy Crockett, then a member of the U.S. House of Representatives, for display in hisBostongallery.

A consistent belief through most of the 18th and 19th centuries was that character could be read from a person's face, or the bumps on his or her head, or from facial expressions, and that portraits should convey these indicators of character. These theories of physiognomy and phrenology have since been debunked, but they were important considerations in depicting the nation's leaders, since such portraits were often made for posterity. Most people had only one portrait painted in their lifetime, if at all, so artists were selected with great care, and expectations were high.

Before the 1840s, American portraiture was influenced primarily by English techniques, poses, compositions and gestures, and many artists received at least part of their training inEngland. Even canvas sizes followed the British example. Portraits made on commission were priced according to canvas size and the materials and labor involved.

In the late 19th century as European portraitists began traveling to the United States to acquire commissions from the growing upper class, American artists increasingly felt they needed to train abroad in order to succeed at home. Paris continued to be the main lure as painters such as Eakins, Whistler, Beaux and Sargent went to study there. Some of America's best-known portraitists, in fact, became expatriates.

Where in the passage does the author draw a comparison of American and English practices in producing commission portraits?

A. the first paragraph

B. the fourth paragraph

C. the third paragraph

D. the second paragraph

#Mẫu giáo

1

DH

Dương Hoàn Anh

29 tháng 9 2017

Đáp án : C

Thông tin ở 2 câu cuối của đoạn 3: “Even canvas sizes followed the British example. Portraits made on commission were priced according to canvas size and the materials and labor involved.”

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LQ

Lê Quỳnh Anh

30 tháng 5 2017

Read the following passage and mark the letter A, B, C, or D to indicate the correct answer to each of the questions. Before photography was invented in 1839, painted portraits, and engravings based on them, were one of the few ways to record likenesses. From the Colonial era through the 1820s, portraiture was the most widely practiced genre of American art, and it continued to be a significant form through the 19th century. The demand for likenesses was incessant, and portraiture was...

Đọc tiếp

Read the following passage and mark the letter A, B, C, or D to indicate the correct answer to each of the questions.

Before photography was invented in 1839, painted portraits, and engravings based on them, were one of the few ways to record likenesses. From the Colonial era through the 1820s, portraiture was the most widely practiced genre of American art, and it continued to be a significant form through the 19th century. The demand for likenesses was incessant, and portraiture was often the primary source of income for artists. Artists frequently made portraits of famous people to attract interest and potential patrons. For example, in 1834 Chester Harding painted frontiersman Davy Crockett, then a member of the U.S. House of Representatives, for display in hisBostongallery.

A consistent belief through most of the 18th and 19th centuries was that character could be read from a person's face, or the bumps on his or her head, or from facial expressions, and that portraits should convey these indicators of character. These theories of physiognomy and phrenology have since been debunked, but they were important considerations in depicting the nation's leaders, since such portraits were often made for posterity. Most people had only one portrait painted in their lifetime, if at all, so artists were selected with great care, and expectations were high.

Before the 1840s, American portraiture was influenced primarily by English techniques, poses, compositions and gestures, and many artists received at least part of their training inEngland. Even canvas sizes followed the British example. Portraits made on commission were priced according to canvas size and the materials and labor involved.

In the late 19th century as European portraitists began traveling to the United States to acquire commissions from the growing upper class, American artists increasingly felt they needed to train abroad in order to succeed at home. Paris continued to be the main lure as painters such as Eakins, Whistler, Beaux and Sargent went to study there. Some of America's best-known portraitists, in fact, became expatriates.

Physiognomy and phrenology are theories ……………

A. that are no longer as popular

B. that were used to enable people to select artists with the best characteristics in their appearance

C. that were used to try to get the closet likeness possible

D. that meant people usually only needed one portrait

#Mẫu giáo

1

DH

Dương Hoàn Anh

30 tháng 5 2017

Đáp án : A

Thông tin ở câu thứ 2 của đoạn 2: “These theories of physiognomy and phrenology have since been debunked…”. Debunk: to show that something is not true. Kể từ đó 2 giả thuyết này không còn đúng nữa, do đó cũng ít người sử dụng, vì vậy chính là “no longer popular”

Đúng(0)

LQ

Lê Quỳnh Anh

29 tháng 10 2019

Read the following passage and mark the letter A, B, C, or D to indicate the correct answer to each of the questions. Before photography was invented in 1839, painted portraits, and engravings based on them, were one of the few ways to record likenesses. From the Colonial era through the 1820s, portraiture was the most widely practiced genre of American art, and it continued to be a significant form through the 19th century. The demand for likenesses was incessant, and portraiture was...

Đọc tiếp

Read the following passage and mark the letter A, B, C, or D to indicate the correct answer to each of the questions.

Before photography was invented in 1839, painted portraits, and engravings based on them, were one of the few ways to record likenesses. From the Colonial era through the 1820s, portraiture was the most widely practiced genre of American art, and it continued to be a significant form through the 19th century. The demand for likenesses was incessant, and portraiture was often the primary source of income for artists. Artists frequently made portraits of famous people to attract interest and potential patrons. For example, in 1834 Chester Harding painted frontiersman Davy Crockett, then a member of the U.S. House of Representatives, for display in hisBostongallery.

A consistent belief through most of the 18th and 19th centuries was that character could be read from a person's face, or the bumps on his or her head, or from facial expressions, and that portraits should convey these indicators of character. These theories of physiognomy and phrenology have since been debunked, but they were important considerations in depicting the nation's leaders, since such portraits were often made for posterity. Most people had only one portrait painted in their lifetime, if at all, so artists were selected with great care, and expectations were high.

Before the 1840s, American portraiture was influenced primarily by English techniques, poses, compositions and gestures, and many artists received at least part of their training inEngland. Even canvas sizes followed the British example. Portraits made on commission were priced according to canvas size and the materials and labor involved.

In the late 19th century as European portraitists began traveling to the United States to acquire commissions from the growing upper class, American artists increasingly felt they needed to train abroad in order to succeed at home. Paris continued to be the main lure as painters such as Eakins, Whistler, Beaux and Sargent went to study there. Some of America's best-known portraitists, in fact, became expatriates.

What does the passage mainly discussed?

A. art in 19th century America

B. portraiture in 19th century America

C. the influence of other countries on American art

D. the early years of photography

#Mẫu giáo

1

DH

Dương Hoàn Anh

29 tháng 10 2019

Đáp án : B

Nội dung chủ yếu là về nghệ thuật vẽ chân dung ở Mỹ, ở đầu các đoạn văn có nhắc đến các khoảng thời gian của thế kỷ 19, như “in 1839”, “1840s” và “in the late 19^th century”

Đúng(0)

LQ

Lê Quỳnh Anh

2 tháng 8 2019

Read the following passage and mark the letter on your answer sheet to indicate the correct answerBefore photography was invented in 1839, painted portraits, and engravings based on them, were one of the few ways to record likenesses. From the Colonial era through the 1820s, portraiture was the most widely practiced genre of American art, and it continued to be a significant form through the 19th century. The demand for likenesses was incessant, and portraiture was often the primary source of...

Đọc tiếp

Read the following passage and mark the letter on your answer sheet to indicate the correct answer

Before photography was invented in 1839, painted portraits, and engravings based on them, were one of the few ways to record likenesses. From the Colonial era through the 1820s, portraiture was the most widely practiced genre of American art, and it continued to be a significant form through the 19th century. The demand for likenesses was incessant, and portraiture was often the primary source of income for artists. Artists frequently made portraits of famous people to attract interest and potential patrons. For example, in 1834 Chester Harding painted frontiersman Davy Crockett, then a member of the U.S. House of Representatives, for display in his Boston gallery.

A consistent belief through most of the 18th and 19th centuries was that character could be read from a person's face, or the bumps on his or her head, or from facial expressions, and that portraits should convey these indicators of character. These theories of physiognomy and phrenology have since been debunked, but they were important considerations in depicting the nation's leaders, since such portraits were often made for posterity. Most people had only one portrait painted in their lifetime, if at all, so artists were selected with great care, and expectations were high.

Before the 1840s, American portraiture was influenced primarily by English techniques, poses, compositions and gestures, and many artists received at least part of their training in England. Even canvas sizes followed the British example. Portraits made on commission were priced according to canvas size and the materials and labor involved.

In the late 19th century as European portraitists began traveling to the United States to acquire commissions from the growing upper class, American artists increasingly felt they needed to train abroad in order to succeed at home. Paris continued to be the main lure. as painters such as Eakins, Whistler, Beaux and Sargent went to study there. Some of America's best-known portraitists, in fact, became expatriates.

Where in the passage does the author draw a comparison of American and English practices in________ producing commission portraits?

A. the first paragraph

B. the second paragraph

C. the third paragraph

D. the fourth paragraph

#Mẫu giáo

1

DH

Dương Hoàn Anh

2 tháng 8 2019

Đáp án là C. Ý trong đoạn : Portraits made on commission were priced according to canvas size and the materials and labor involved.

VI/

Đúng(0)

LQ

Lê Quỳnh Anh

13 tháng 12 2019

Read the following passage and mark the letter on your answer sheet to indicate the correct answerBefore photography was invented in 1839, painted portraits, and engravings based on them, were one of the few ways to record likenesses. From the Colonial era through the 1820s, portraiture was the most widely practiced genre of American art, and it continued to be a significant form through the 19th century. The demand for likenesses was incessant, and portraiture was often the primary source of...

Đọc tiếp

Read the following passage and mark the letter on your answer sheet to indicate the correct answer

Before photography was invented in 1839, painted portraits, and engravings based on them, were one of the few ways to record likenesses. From the Colonial era through the 1820s, portraiture was the most widely practiced genre of American art, and it continued to be a significant form through the 19th century. The demand for likenesses was incessant, and portraiture was often the primary source of income for artists. Artists frequently made portraits of famous people to attract interest and potential patrons. For example, in 1834 Chester Harding painted frontiersman Davy Crockett, then a member of the U.S. House of Representatives, for display in his Boston gallery.

A consistent belief through most of the 18th and 19th centuries was that character could be read from a person's face, or the bumps on his or her head, or from facial expressions, and that portraits should convey these indicators of character. These theories of physiognomy and phrenology have since been debunked, but they were important considerations in depicting the nation's leaders, since such portraits were often made for posterity. Most people had only one portrait painted in their lifetime, if at all, so artists were selected with great care, and expectations were high.

Before the 1840s, American portraiture was influenced primarily by English techniques, poses, compositions and gestures, and many artists received at least part of their training in England. Even canvas sizes followed the British example. Portraits made on commission were priced according to canvas size and the materials and labor involved.

In the late 19th century as European portraitists began traveling to the United States to acquire commissions from the growing upper class, American artists increasingly felt they needed to train abroad in order to succeed at home. Paris continued to be the main lure. as painters such as Eakins, Whistler, Beaux and Sargent went to study there. Some of America's best-known portraitists, in fact, became expatriates.

I’d prefer him not to have said all those embarrassing things about me.

A. I’d not prefer his saying all those embarrassing things about me.

B. I’d prefer him not saying all those embarrassing things about me.

C. His having said all those things about me is preferentially embarrassing.

D. I’d sooner he hadn’t said all those embarrassing things about me.

#Mẫu giáo

1

DH

Dương Hoàn Anh

13 tháng 12 2019

Dựa vào nghĩa để chọn đáp án:

Câu đã cho: Tôi muốn anh ta đừng nói tất cả những điều xấu hổ về tôi.

Đáp án là D. Tôi muốn anh ta đã không nói tất cả những điều xấu hổ về tôi.

Would rather/sooner thường được dùng để diễn tả sự ưa thích cái này hơn cái khác hoặc thích làm việc này hơn việc khác.

VII/

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LQ

Lê Quỳnh Anh

1 tháng 12 2019

Read the following passage and mark the letter on your answer sheet to indicate the correct answerBefore photography was invented in 1839, painted portraits, and engravings based on them, were one of the few ways to record likenesses. From the Colonial era through the 1820s, portraiture was the most widely practiced genre of American art, and it continued to be a significant form through the 19th century. The demand for likenesses was incessant, and portraiture was often the primary source of...

Đọc tiếp

Read the following passage and mark the letter on your answer sheet to indicate the correct answer

Before photography was invented in 1839, painted portraits, and engravings based on them, were one of the few ways to record likenesses. From the Colonial era through the 1820s, portraiture was the most widely practiced genre of American art, and it continued to be a significant form through the 19th century. The demand for likenesses was incessant, and portraiture was often the primary source of income for artists. Artists frequently made portraits of famous people to attract interest and potential patrons. For example, in 1834 Chester Harding painted frontiersman Davy Crockett, then a member of the U.S. House of Representatives, for display in his Boston gallery.

A consistent belief through most of the 18th and 19th centuries was that character could be read from a person's face, or the bumps on his or her head, or from facial expressions, and that portraits should convey these indicators of character. These theories of physiognomy and phrenology have since been debunked, but they were important considerations in depicting the nation's leaders, since such portraits were often made for posterity. Most people had only one portrait painted in their lifetime, if at all, so artists were selected with great care, and expectations were high.

Before the 1840s, American portraiture was influenced primarily by English techniques, poses, compositions and gestures, and many artists received at least part of their training in England. Even canvas sizes followed the British example. Portraits made on commission were priced according to canvas size and the materials and labor involved.

In the late 19th century as European portraitists began traveling to the United States to acquire commissions from the growing upper class, American artists increasingly felt they needed to train abroad in order to succeed at home. Paris continued to be the main lure. as painters such as Eakins, Whistler, Beaux and Sargent went to study there. Some of America's best-known portraitists, in fact, became expatriates.

Physiognomy and phrenology are theories________

A. that are no longer as popular

B. that were used to enable people to select artists with the best characteristics in their appearance

C. that meant people usually only needed one portrait

D. that were used to try to get the closet likeness possible

#Mẫu giáo

1

DH

Dương Hoàn Anh

1 tháng 12 2019

Đáp án là A. Ý trong bài: These theories of physiognomy and phrenology have since been debunked, but they were important considerations in depicting the nation's leaders, since such portraits were often made for posterity.

Đúng(0)

LQ

Lê Quỳnh Anh

8 tháng 4 2019

Read the following passage and mark the letter A, B, C, or D to indicate the correct answer to each of the questions. Before photography was invented in 1839, painted portraits, and engravings based on them, were one of the few ways to record likenesses. From the Colonial era through the 1820s, portraiture was the most widely practiced genre of American art, and it continued to be a significant form through the 19th century. The demand for likenesses was incessant, and portraiture was...

Đọc tiếp

Read the following passage and mark the letter A, B, C, or D to indicate the correct answer to each of the questions.

Before photography was invented in 1839, painted portraits, and engravings based on them, were one of the few ways to record likenesses. From the Colonial era through the 1820s, portraiture was the most widely practiced genre of American art, and it continued to be a significant form through the 19th century. The demand for likenesses was incessant, and portraiture was often the primary source of income for artists. Artists frequently made portraits of famous people to attract interest and potential patrons. For example, in 1834 Chester Harding painted frontiersman Davy Crockett, then a member of the U.S. House of Representatives, for display in hisBostongallery.

A consistent belief through most of the 18th and 19th centuries was that character could be read from a person's face, or the bumps on his or her head, or from facial expressions, and that portraits should convey these indicators of character. These theories of physiognomy and phrenology have since been debunked, but they were important considerations in depicting the nation's leaders, since such portraits were often made for posterity. Most people had only one portrait painted in their lifetime, if at all, so artists were selected with great care, and expectations were high.

Before the 1840s, American portraiture was influenced primarily by English techniques, poses, compositions and gestures, and many artists received at least part of their training inEngland. Even canvas sizes followed the British example. Portraits made on commission were priced according to canvas size and the materials and labor involved.

In the late 19th century as European portraitists began traveling to the United States to acquire commissions from the growing upper class, American artists increasingly felt they needed to train abroad in order to succeed at home. Paris continued to be the main lure as painters such as Eakins, Whistler, Beaux and Sargent went to study there. Some of America's best-known portraitists, in fact, became expatriates.

In what ways did American artists try to gain greater success?

A. by inviting European artists to America

B. by traveling abroad for training

C. by not only painting portraits

D. by becoming expatriates

#Mẫu giáo

1

DH

Dương Hoàn Anh

8 tháng 4 2019

Đáp án : B

Thông tin ở câu đầu tiên của đoạn 4: “In the late 19th century as European portraitists began traveling to the United States to acquire commissions from the growing upper class, American artists increasingly felt they needed to train abroad in order to succeed at home.”

Đúng(0)

LQ

Lê Quỳnh Anh

15 tháng 11 2018

Read the following passage and mark the letter A, B, C, or D to indicate the correct answer to each of the questions. Before photography was invented in 1839, painted portraits, and engravings based on them, were one of the few ways to record likenesses. From the Colonial era through the 1820s, portraiture was the most widely practiced genre of American art, and it continued to be a significant form through the 19th century. The demand for likenesses was incessant, and portraiture was...

Đọc tiếp

Read the following passage and mark the letter A, B, C, or D to indicate the correct answer to each of the questions.

Before photography was invented in 1839, painted portraits, and engravings based on them, were one of the few ways to record likenesses. From the Colonial era through the 1820s, portraiture was the most widely practiced genre of American art, and it continued to be a significant form through the 19th century. The demand for likenesses was incessant, and portraiture was often the primary source of income for artists. Artists frequently made portraits of famous people to attract interest and potential patrons. For example, in 1834 Chester Harding painted frontiersman Davy Crockett, then a member of the U.S. House of Representatives, for display in hisBostongallery.

A consistent belief through most of the 18th and 19th centuries was that character could be read from a person's face, or the bumps on his or her head, or from facial expressions, and that portraits should convey these indicators of character. These theories of physiognomy and phrenology have since been debunked, but they were important considerations in depicting the nation's leaders, since such portraits were often made for posterity. Most people had only one portrait painted in their lifetime, if at all, so artists were selected with great care, and expectations were high.

Before the 1840s, American portraiture was influenced primarily by English techniques, poses, compositions and gestures, and many artists received at least part of their training inEngland. Even canvas sizes followed the British example. Portraits made on commission were priced according to canvas size and the materials and labor involved.

In the late 19th century as European portraitists began traveling to the United States to acquire commissions from the growing upper class, American artists increasingly felt they needed to train abroad in order to succeed at home. Paris continued to be the main lure as painters such as Eakins, Whistler, Beaux and Sargent went to study there. Some of America's best-known portraitists, in fact, became expatriates.

In paragraph 2, what did people look for in a good portrait?

A. every detail, including bumps on the head

B. an accurate likeness

C. indicators of character

D. clear facial expressions

#Mẫu giáo

1

DH

Dương Hoàn Anh

15 tháng 11 2018

Đáp án : C

Thông tin ở câu đầu tiên của đoạn 2: “A consistent belief through most of the 18th and 19th centuries was that character could be read from a person's face, or the bumps on his or her head, or from facial expressions, and that portraits should convey these indicators of character.”

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