Mr. Putin won a fourth term as Russia's president, picking up more than three- quarters of the vote with _____

LQ

Lê Quỳnh Anh

1 tháng 10 2018

Mr. Putin won a fourth term as Russia's president, picking up more than three-quarters of the vote with _________ of more than 67 percent.

A. an outcome

B. a turnup

C. a turnout

D. an output

#Hỏi cộng đồng OLM #Mẫu giáo

1

DH

Dương Hoàn Anh

1 tháng 10 2018

C

Kiến thức: từ vựng

Giải thích:

A. an outcome: kết quả B. a turnup: gấu quần

D. a turnout: số người bỏ phiếu D. an output: sản phẩm

Tạm dịch: Ngài Putin đã thắng cử tổng thống nhiệm kì thứ tư của Nga, dành được ¾ số phiếu bầu với số người bỏ phiếu là hơn 67%.

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LQ

Lê Quỳnh Anh

10 tháng 11 2018

Mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the following questions. Mr. Putin won a fourth term as Russia's president, picking up more than three– quarters of the vote with _________ of more than 67 percent. A. an output B. an outcome C. a turnup D. a turnout...

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#Hỏi cộng đồng OLM #Mẫu giáo

1

DH

Dương Hoàn Anh

10 tháng 11 2018

Chọn D

A. an outcome: kết quả

B. a turnup: gấu quần

C. a turnout: số người bỏ phiếu

D. an output: sản phẩm

Tạm dịch: Ngài Putin đã thắng cử tổng thống nhiệm kì thứ tư của Nga, dành được ¾ số phiếu bầu với số người bỏ phiếu là hơn 67%.

ð Đáp án D

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LQ

Lê Quỳnh Anh

15 tháng 12 2017

Mark the letter A, B,C or D on your answer sheet to indicate the underlined part that needs correction in each of the following questionsThe life span (A) of a domestic cat at home is said to be (B) far shorter (C) than a wild tiger (D) in the jungle A. life span B. to be C. far shorter D. a wild tiger...

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#Hỏi cộng đồng OLM #Mẫu giáo

1

DH

Dương Hoàn Anh

15 tháng 12 2017

Đáp án D.

“a wild tiger” -> a wild tiger’s

Ở đây là so sánh vòng đời của mèo và hổ chứ không phải so sánh giữa mèo và hổ, do đó a wild tiger cần sở hữu cách (a wild tiger’s = a wild tiger’s life span)

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LQ

Lê Quỳnh Anh

4 tháng 6 2017

Mark the letter A, B, C or D on your answer sheet to indicate the underlinedpart that needs correction in each of the following questions According to (A) geological discoveries (B) 4.6-billion-years life span of our planet (C) isdivided (D) into four time intervals called eras. A. geological B. 4.6-billion-years C. isdivided D. into ...

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#Hỏi cộng đồng OLM #Mẫu giáo

1

DH

Dương Hoàn Anh

4 tháng 6 2017

Đáp án B

4.6-billion -years => 4.6-billion-year

Ở đây, “ 4.6-billion-year” là tính từ kép nên sau “year” không có “s”

Dịch nghĩa: Theo các khám phá địa chất, 4,6 tỷ năm tuổi thọ của hành tinh chúng ta được chia thành bốn khoảng thời gian gọi là thời đại.

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LQ

Lê Quỳnh Anh

6 tháng 5 2019

Mark the letter A, B, C or D on your answer sheet to indicate the underlinedpart that needs correction in each of the following questionsAccording to (A) geological discoveries (B) 4.6-billion-years life span of our planet (C) isdivided (D) into four time intervals called eras. A. geological B. 4.6-billion-years C. isdivided D. into ...

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#Hỏi cộng đồng OLM #Mẫu giáo

1

DH

Dương Hoàn Anh

6 tháng 5 2019

Đáp án B

4.6-billion -years => 4.6-billion-year

Ở đây, “ 4.6-billion-year” là tính từ kép nên sau “year” không có “s”

Dịch nghĩa: Theo các khám phá địa chất, 4,6 tỷ năm tuổi thọ của hành tinh chúng ta được chia thành bốn khoảng thời gian gọi là thời đại.

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LQ

Lê Quỳnh Anh

15 tháng 11 2017

Read the following passage on transport, and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 43 to 50.(1) Iron production was revolutionized in the early eighteenth century when coke was first used instead of charcoal for refining iron ore. Previously the poor quality of the iron had restricted its use in architecture to items such as chains and tie bars for supporting arches, vaults, and walls. With the improvement in refining...

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Read the following passage on transport, and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 43 to 50.

(1) Iron production was revolutionized in the early eighteenth century when coke was first used instead of charcoal for refining iron ore. Previously the poor quality of the iron had restricted its use in architecture to items such as chains and tie bars for supporting arches, vaults, and walls. With the improvement in refining ore, it was now possible to make cast-iron beams, columns, and girders. During the nineteenth century further advances were made, notably Bessemer’s process for converting iron into steel, which made the material more commercially viable.

(2) Iron was rapidly adopted for the construction of bridges, because its strength was far greater than that of stone or timber, but its use in the architecture of buildings developed more slowly. By 1800 a complete internal iron skeleton for buildings had been developed in industrial architecture replacing traditional timber beams, but it generally remained concealed. Apart from its low cost, the appeal of iron as a building material lay in its strength, its resistance to fire, and its potential to span vast areas. As a result, iron became increasingly popular as a structural material for more traditional styles of architecture during the nineteenth century, but it was invariably concealed.

(3) Significantly, the use of exposed iron occurred mainly in the new building types spawned by the Industrial Revolution: in factories, warehouses, commercial offices, exhibition hall, and railroad stations, where its practical advantages far outweighed its lack of status. Designers of the railroad stations of the new age explored the potential of iron, covering huge areas with spans that surpassed the great vaults of medieval churches and cathedrals. Paxton’s Crystal Palace, designed to house the Great Exhibition of 1851, covered an area of 1.848 feet by 408 feet in prefabricated units of glass set in iron frames. The Paris Exhibition of 1889 included both the widest span and the greatest height achieved so far with the Halle Des Machines, spanning 362 feet, and the Eiffel Tower 1,000 feet high. However, these achievements were mocked by the artistic elite of Paris as expensive and ugly follies. Iron, despite its structural advantages, had little aesthetic status. The use of an exposed iron structure in the more traditional styles of architecture was slower to develop.

It can be inferred that the delayed use of exposed iron structures in traditional styles of architecture is best explained by the _____.

A. impracticality of using iron for small, noncommercial buildings

B. association of iron architecture with the problems of the Industrial Revolution

C. general belief that iron offered less resistance to fire and harsh weather than traditional materials

D. general perception that iron structures were not aesthetically pleasing

#Hỏi cộng đồng OLM #Mẫu giáo

1

DH

Dương Hoàn Anh

15 tháng 11 2017

Đáp án D

general perception that iron structures were not aesthetically pleasing

Thông tin nằm ở đoạn 3: “Iron, despite its structural advantages, had little aesthetic status.”

Có thể suy ra việc sử dụng những kết cấu bằng sắt trong kiểu kiến trúc truyền thống được giải thích tốt nhất bởi… Sự nhận thức chung rằng các kết cấu bằng sắt không làm hài lòng về mặt thẩm mỹ.

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LQ

Lê Quỳnh Anh

7 tháng 9 2019

Read the following passage on transport, and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 43 to 50.(1) Iron production was revolutionized in the early eighteenth century when coke was first used instead of charcoal for refining iron ore. Previously the poor quality of the iron had restricted its use in architecture to items such as chains and tie bars for supporting arches, vaults, and walls. With the improvement in refining...

Đọc tiếp

Read the following passage on transport, and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 43 to 50.

(1) Iron production was revolutionized in the early eighteenth century when coke was first used instead of charcoal for refining iron ore. Previously the poor quality of the iron had restricted its use in architecture to items such as chains and tie bars for supporting arches, vaults, and walls. With the improvement in refining ore, it was now possible to make cast-iron beams, columns, and girders. During the nineteenth century further advances were made, notably Bessemer’s process for converting iron into steel, which made the material more commercially viable.

(2) Iron was rapidly adopted for the construction of bridges, because its strength was far greater than that of stone or timber, but its use in the architecture of buildings developed more slowly. By 1800 a complete internal iron skeleton for buildings had been developed in industrial architecture replacing traditional timber beams, but it generally remained concealed. Apart from its low cost, the appeal of iron as a building material lay in its strength, its resistance to fire, and its potential to span vast areas. As a result, iron became increasingly popular as a structural material for more traditional styles of architecture during the nineteenth century, but it was invariably concealed.

(3) Significantly, the use of exposed iron occurred mainly in the new building types spawned by the Industrial Revolution: in factories, warehouses, commercial offices, exhibition hall, and railroad stations, where its practical advantages far outweighed its lack of status. Designers of the railroad stations of the new age explored the potential of iron, covering huge areas with spans that surpassed the great vaults of medieval churches and cathedrals. Paxton’s Crystal Palace, designed to house the Great Exhibition of 1851, covered an area of 1.848 feet by 408 feet in prefabricated units of glass set in iron frames. The Paris Exhibition of 1889 included both the widest span and the greatest height achieved so far with the Halle Des Machines, spanning 362 feet, and the Eiffel Tower 1,000 feet high. However, these achievements were mocked by the artistic elite of Paris as expensive and ugly follies. Iron, despite its structural advantages, had little aesthetic status. The use of an exposed iron structure in the more traditional styles of architecture was slower to develop.

According to paragraph 3, the architectural significance of the Halle Des Machines was its _____.

A. wide span

B. great height

C. unequaled beauty

D. prefabricated unites of glass

#Hỏi cộng đồng OLM #Mẫu giáo

1

DH

Dương Hoàn Anh

7 tháng 9 2019

Đáp án A

wide span

Thông tin nằm ở đoạn 3: “The Paris Exhibition of 1889 included both the widest span and the greatest height achieved so far with the Halle Des Machines, spanning 362 feet, and the Eiffel Tower 1,000 feet high.”

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LQ

Lê Quỳnh Anh

5 tháng 5 2018

Read the following passage on transport, and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 43 to 50.(1) Iron production was revolutionized in the early eighteenth century when coke was first used instead of charcoal for refining iron ore. Previously the poor quality of the iron had restricted its use in architecture to items such as chains and tie bars for supporting arches, vaults, and walls. With the improvement in refining...

Đọc tiếp

Read the following passage on transport, and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 43 to 50.

(1) Iron production was revolutionized in the early eighteenth century when coke was first used instead of charcoal for refining iron ore. Previously the poor quality of the iron had restricted its use in architecture to items such as chains and tie bars for supporting arches, vaults, and walls. With the improvement in refining ore, it was now possible to make cast-iron beams, columns, and girders. During the nineteenth century further advances were made, notably Bessemer’s process for converting iron into steel, which made the material more commercially viable.

(2) Iron was rapidly adopted for the construction of bridges, because its strength was far greater than that of stone or timber, but its use in the architecture of buildings developed more slowly. By 1800 a complete internal iron skeleton for buildings had been developed in industrial architecture replacing traditional timber beams, but it generally remained concealed. Apart from its low cost, the appeal of iron as a building material lay in its strength, its resistance to fire, and its potential to span vast areas. As a result, iron became increasingly popular as a structural material for more traditional styles of architecture during the nineteenth century, but it was invariably concealed.

(3) Significantly, the use of exposed iron occurred mainly in the new building types spawned by the Industrial Revolution: in factories, warehouses, commercial offices, exhibition hall, and railroad stations, where its practical advantages far outweighed its lack of status. Designers of the railroad stations of the new age explored the potential of iron, covering huge areas with spans that surpassed the great vaults of medieval churches and cathedrals. Paxton’s Crystal Palace, designed to house the Great Exhibition of 1851, covered an area of 1.848 feet by 408 feet in prefabricated units of glass set in iron frames. The Paris Exhibition of 1889 included both the widest span and the greatest height achieved so far with the Halle Des Machines, spanning 362 feet, and the Eiffel Tower 1,000 feet high. However, these achievements were mocked by the artistic elite of Paris as expensive and ugly follies. Iron, despite its structural advantages, had little aesthetic status. The use of an exposed iron structure in the more traditional styles of architecture was slower to develop.

Iron replaced stone and timber in the building of bridges because iron was considered _____.

A. more beautiful

B. new and modern

C. much stronger

D. easier to transport

#Hỏi cộng đồng OLM #Mẫu giáo

1

DH

Dương Hoàn Anh

5 tháng 5 2018

Đáp án C

much stronger

Thông tin nằm ở câu đầu đoạn 2: “Iron was rapidly adopted for the construction of bridges, because its strength was far greater than that of stone or timber,…

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LQ

Lê Quỳnh Anh

24 tháng 9 2019

Read the following passage on transport, and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 43 to 50.(1) Iron production was revolutionized in the early eighteenth century when coke was first used instead of charcoal for refining iron ore. Previously the poor quality of the iron had restricted its use in architecture to items such as chains and tie bars for supporting arches, vaults, and walls. With the improvement in refining...

Đọc tiếp

Read the following passage on transport, and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 43 to 50.

(1) Iron production was revolutionized in the early eighteenth century when coke was first used instead of charcoal for refining iron ore. Previously the poor quality of the iron had restricted its use in architecture to items such as chains and tie bars for supporting arches, vaults, and walls. With the improvement in refining ore, it was now possible to make cast-iron beams, columns, and girders. During the nineteenth century further advances were made, notably Bessemer’s process for converting iron into steel, which made the material more commercially viable.

(2) Iron was rapidly adopted for the construction of bridges, because its strength was far greater than that of stone or timber, but its use in the architecture of buildings developed more slowly. By 1800 a complete internal iron skeleton for buildings had been developed in industrial architecture replacing traditional timber beams, but it generally remained concealed. Apart from its low cost, the appeal of iron as a building material lay in its strength, its resistance to fire, and its potential to span vast areas. As a result, iron became increasingly popular as a structural material for more traditional styles of architecture during the nineteenth century, but it was invariably concealed.

(3) Significantly, the use of exposed iron occurred mainly in the new building types spawned by the Industrial Revolution: in factories, warehouses, commercial offices, exhibition hall, and railroad stations, where its practical advantages far outweighed its lack of status. Designers of the railroad stations of the new age explored the potential of iron, covering huge areas with spans that surpassed the great vaults of medieval churches and cathedrals. Paxton’s Crystal Palace, designed to house the Great Exhibition of 1851, covered an area of 1.848 feet by 408 feet in prefabricated units of glass set in iron frames. The Paris Exhibition of 1889 included both the widest span and the greatest height achieved so far with the Halle Des Machines, spanning 362 feet, and the Eiffel Tower 1,000 feet high. However, these achievements were mocked by the artistic elite of Paris as expensive and ugly follies. Iron, despite its structural advantages, had little aesthetic status. The use of an exposed iron structure in the more traditional styles of architecture was slower to develop.

How did the artistic elite mentioned in the passage react to the buildings at the Paris Exhibition?

A. They tried to copy them.

B. They ridiculed them.

C. They praised them.

D. They refused to pay to see them.

#Hỏi cộng đồng OLM #Mẫu giáo

1

DH

Dương Hoàn Anh

24 tháng 9 2019

Đáp án B

They ridiculed them.

Thông tin nằm ở đoạn 3: “…these achievements were mocked by the artistic elite of Paris…” (mock = ridicule)

– Tầng lớp nghệ sĩ được đề cập trong đoạn văn đã phản ứng như thế nào đối với kiến trúc xây dựng tại triển lãm Paris. Họ đã chế giếu chúng…

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