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24 tháng 3 2016

Skydivers thúc đẩy ngành du lịch ở Ai Cập
Trong một nỗ lực để thúc đẩy ngành công nghiệp du lịch suy giảm của Ai Cập, Skydivers gần đây đã tham gia một cuộc thi bay cao hơn Kim tự tháp của Ai Cập.
Những người tham gia nói rằng sự kiện này là nhằm thu hút du khách nhiều hơn cho đất nước, như Ai Cập đã bị giảm $ 1.3 tỷ doanh thu du lịch trong vài tháng qua.
Hơn 200 Skydivers từ 17 quốc gia đã tham gia cuộc thi ba ngày gần đây, với sự tham gia nhảy từ máy bay trực thăng cao hơn 1.100 mét, và hướng tới mục tiêu cụ thể về đất đai.
Các sự kiện, tổ chức cho rằng, sẽ gửi một thông điệp tới thế giới.
"Ai Cập là mạnh mẽ và nó sẽ không bao giờ bị ảnh hưởng bởi tất cả sự hỗn loạn đang diễn ra," Tướng Suleiman El-Hadary của Liên minh Ai Cập cho Air Sports cho biết. "Chúng tôi muốn nhấn mạnh với thế giới rằng đất nước của chúng tôi là an toàn và du khách được chào đón. "
Du lịch là một trong những lĩnh vực quan trọng nhất của nền kinh tế Ai Cập.

P/s : Skydivers có thể hiểu là những người tham gia bộ môn bay trên trời, nhảy dù...

24 tháng 3 2016

P/s: Ở câu cuối, Tourist chứ ko phải Tourism

Skydivers thúc đẩy ngành du lịch ở Ai Cập
Trong một nỗ lực để thúc đẩy ngành công nghiệp du lịch suy giảm của Ai Cập, Skydivers gần đây đã tham gia một cuộc thi bay cao hơn Kim tự tháp của Ai Cập.
Những người tham gia nói rằng sự kiện này là nhằm thu hút du khách nhiều hơn cho đất nước, như Ai Cập đã bị giảm $ 1.3 tỷ doanh thu du lịch trong vài tháng qua.
Hơn 200 Skydivers từ 17 quốc gia đã tham gia cuộc thi ba ngày gần đây, với sự tham gia nhảy từ máy bay trực thăng cao hơn 1.100 mét, và hướng tới mục tiêu cụ thể về đất đai.
Các sự kiện, tổ chức cho rằng, sẽ gửi một thông điệp tới thế giới.
"Ai Cập là mạnh mẽ và nó sẽ không bao giờ bị ảnh hưởng bởi tất cả sự hỗn loạn đang diễn ra," Tướng Suleiman El-Hadary của Liên minh Ai Cập cho Air Sports cho biết. "Chúng tôi muốn nhấn mạnh với thế giới rằng đất nước của chúng tôi là an toàn và du khách được chào đón. "
Du lịch là một trong những lĩnh vực quan trọng nhất của nền kinh tế Ai Cập.

dịch hộ mình sang tiếng việt nhéYosemite National Park in California Yosemite National Park, located in the eastern central region of California, covers an area of 761,266 acres which includes the slope of the Nevada mountain chain. It is about six hours north of Los Angeles and is known internationally for its natural features like the great cliffs, waterfalls, streams and flora to fauna diversity. That is why more than 3.5 million people visit this park every year.More than 95...
Đọc tiếp

dịch hộ mình sang tiếng việt nhé

Yosemite National Park in California

 

Yosemite National Park, located in the eastern central region of California, covers an area of 761,266 acres which includes the slope of the Nevada mountain chain. It is about six hours north of Los Angeles and is known internationally for its natural features like the great cliffs, waterfalls, streams and flora to fauna diversity. That is why more than 3.5 million people visit this park every year.

More than 95 percent of Yosemite National Park has wildlife in it, including five types of vegetation zones: oak woodland, lower and upper montane, subalpine and alpine. The park is one of the largest habitat centers in all of Nevada and it has an elevation range of 600 to 4,000 meters. There are also huge rocks that are more than 10 million years old scattered throughout the natural areas.

For tourists, there are also several hotels and accommodations throughout the park, including restaurants and shops. Many visitors enjoy visiting during the summer to enjoy everything the park has to offer.

6
18 tháng 3 2016

Bản dịch của bạn đây:

Công viên Quốc gia Yosemite ở California
 
Công viên quốc gia Yosemite, nằm trong khu vực trung tâm phía Đông của California, có diện tích 761.266 mẫu Anh bao gồm độ dốc của dãy núi Nevada. Đó là khoảng sáu giờ về phía bắc của Los Angeles và được quốc tế biết đến với đặc điểm tự nhiên của nó như các vách đá, thác nước, suối lớn và thực vật để động vật đa dạng. Đó là lý do tại sao hơn 3,5 triệu người đến thăm công viên này mỗi năm.

Hơn 95 phần trăm của Công viên Quốc gia Yosemite có động vật hoang dã trong đó, bao gồm năm loại khu vực thực vật: gỗ sồi rừng, núi thấp và cao, subalpine và núi cao. Công viên là một trong những trung tâm môi trường sống lớn nhất trong tất cả các Nevada và nó có một phạm vi độ cao 600 đến 4.000 mét. Cũng có những tảng đá khổng lồ đó là hơn 10 triệu năm tuổi nằm rải rác khắp các khu vực tự nhiên.

Đối với khách du lịch, cũng có một số ở và khách sạn trên khắp công viên, bao gồm cả nhà hàng và cửa hàng. Nhiều du khách thích đến thăm trong mùa hè để thưởng thức tất cả mọi thứ công viên đã cung cấp.

18 tháng 3 2016

Công viên Quốc gia Yosemite ở California
 
Công viên quốc gia Yosemite, nằm trong khu vực trung tâm phía Đông của California, có diện tích 761.266 mẫu Anh bao gồm độ dốc của dãy núi Nevada. Đó là khoảng sáu giờ về phía bắc của Los Angeles và được quốc tế biết đến với đặc điểm tự nhiên của nó như các vách đá, thác nước, suối lớn và thực vật để động vật đa dạng. Đó là lý do tại sao hơn 3,5 triệu người đến thăm công viên này mỗi năm.

Hơn 95 phần trăm của Công viên Quốc gia Yosemite có động vật hoang dã trong đó, bao gồm năm loại khu vực thực vật: gỗ sồi rừng, núi thấp và cao, subalpine và núi cao. Công viên là một trong những trung tâm môi trường sống lớn nhất trong tất cả các Nevada và nó có một phạm vi độ cao 600 đến 4.000 mét. Cũng có những tảng đá khổng lồ đó là hơn 10 triệu năm tuổi nằm rải rác khắp các khu vực tự nhiên.

Đối với khách du lịch, cũng có một số ở và khách sạn trên khắp công viên, bao gồm cả nhà hàng và cửa hàng. Nhiều du khách thích đến thăm trong mùa hè để thưởng thức tất cả mọi thứ công viên đã cung cấp.

2 tháng 4 2016

Mình dịch trên google nè:

Các nhà làm phim sử dụng iPhone để làm bộ phim mới
 
Một trong những bộ phim thể hiện tuần trước tại South by Southwest liên hoan phim ởAustin, Texas  "9 Rides", câu chuyện của một người lái xe limo chán nản ở LosAngeles và những người khác nhau, người đi xe với anh ta một đêm tối.

"Chúng tôi đã chụp hình ở bốn hoặc năm giờ sáng  không có ai ở bên ngoài và nó đã thực sự mát mẻ," Giám đốc Mathew Cherry nói. " thêm vào sự cô đơn  thẩm mỹ tổng thể của bộ phim."

Làm việc với một ngân sách nhỏ, Cherry quyết định tận dụng lợi thế của độ phân giải4K của iPhone 6S của Apple để làm cho bộ phim của ông có tính năng một số nhân vật, mà diễn ra hoàn toàn bên trong một chiếc xe hơi. Ông đã sử dụng một số iPhoneđược gắn trong và trên xe.

Đây không phải là bộ phim đầu tiên bắn vào một chiếc iPhone. Năm ngoái, các nhà phê bình khen ngợi bộ phim "Tangerine", được quay trên iPhone 5S.

Chúc bạn học tốt!hihi

2 tháng 4 2016

Các nhà làm phim sử dụng iPhone để làm bộ phim mới
 
Một trong những bộ phim thể hiện tuần trước tại South by Southwest liên hoan phim ở Austin, Texas là "9 Rides", câu chuyện của một người lái xe limo chán nản ở Los Angeles và những người khác nhau, người đi xe với anh ta một đêm tối.

"Chúng tôi đã chụp hình ở bốn hoặc năm giờ sáng và không có ai ở bên ngoài và nó đã thực sự mát mẻ," Giám đốc Mathew Cherry nói. "Nó thêm vào sự cô đơn và thẩm mỹ tổng thể của bộ phim."

Làm việc với một ngân sách nhỏ, Cherry quyết định tận dụng lợi thế của độ phân giải 4K của iPhone 6S của Apple để làm cho bộ phim của ông có tính năng một số nhân vật, mà diễn ra hoàn toàn bên trong một chiếc xe hơi. Ông đã sử dụng một số iPhone được gắn trong và trên xe.

Đây không phải là bộ phim đầu tiên bắn vào một chiếc iPhone. Năm ngoái, các nhà phê bình khen ngợi bộ phim "Tangerine", được quay trên iPhone 5S

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 28 to 35.How is the news different from entertainment? Most people would answer that news is real but entertainment is fiction. However, if we think more carefully about the news, it becomes clear that the news is not always real. The news does not show us all the events of the day, but stories from a small number of chosen events. The creation of news...
Đọc tiếp

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 28 to 35.

How is the news different from entertainment? Most people would answer that news is real but entertainment is fiction. However, if we think more carefully about the news, it becomes clear that the news is not always real. The news does not show us all the events of the day, but stories from a small number of chosen events. The creation of news stories is subject to specific constraints, much like the creation of works of fiction. There are many constraints, but three of the most important ones are: commercialism, story formulas, and sources.

Newspapers, radio, and TV stations are businesses, all of which are rivals for audiences and advertising revenue. The amount of time that the average TV station spends on news broadcasts has grown steadily over the last fifty years - largely because news is relatively cheap to produce, yet sells plenty of advertising. Some news broadcasts are themselves becoming advertisements. For example, during one week in 1996 when the American CBS network was airing a movie about the sinking of the Titanic, CBS news ran nine stories about that event (which had happened 84 years before). The ABC network is owned by Disney Studios, and frequently runs news stories about Mickey Mouse. Furthermore, the profit motive drives news organizations to pay more attention to stories likely to generate a large audience, and to shy away from stories that may be important but dull. This pressure to be entertaining has produced shorter, simpler stories: more focus on celebrities than people of substance, more focus on gossip than on news, and more focus on dramatic events than on nuanced issues.

As busy people under relentless pressure to produce, journalists cannot spend days agonizing over the best way to present stories. Instead, they depend upon certain story formulas, which they can reuse again and again. One example is known as the inverted pyramid. In this formula, the journalist puts the most important information at the beginning of the story, than adds the next most important, and so on. The inverted pyramid originates from the age of the telegraph, the idea being that if the line went dead halfway through the story, the journalist would know that the most crucial information had at least been relayed. Modern journalists still value the formula for a similar reason. Their editors will cut stories if they are too long. Another formula involves reducing a complicated story into a simple conflict. The best example is "horse race" election coverage. Thorough explication of the issues and the candidates' views is forbiddingly complex. Journalists therefore concentrate more on who is winning in the opinion polls, and whether the underdog can catch up in the numbers than on politicians' campaign goals.

Sources are another constraint on what journalists cover and how they cover it. The dominant sources for news are public information officers in businesses and government offices. The majority of such officers try to establish themselves as experts who are qualified to feed information to journalists. How do journalists know who is an expert? In general, they don't. They use sources not on the basis of actual expertise, but on the appearance of expertise and the willingness to share it. All the major news organizations use some of the same sources (many of them anonymous), so the same types of stories always receive attention. Over time, the journalists may even become close friends with their sources, and they stop searching for alternative points of view. The result tends to be narrow, homogenized coverage of the same kind.

The word relayed in paragraph 3 is closest in meaning to ______.

A. chosen

B. Known

C. gathered

D. sent

1
15 tháng 6 2019

Đáp án D

Từ “relayed” ở đoạn 3 gần nghĩa nhất với?

A. chọn                          B. biết                    C. tập hợp                      D. gửi

Căn cứ vào ngữ cảnh của câu sau:

“The inverted pyramid originates from the age of the telegraph, the idea being that if the line went dead halfway through the story, the journalist would know that the most crucial information had at least been relayed.”

(Kim Tự tháp đảo ngược bắt nguồn từ thời đại của điện tín, ý tưởng là nếu đường dây đi chết nửa chừng qua câu chuyện, phóng viên sẽ biết rằng thông tin quan trọng nhất ít nhất đã được chuyển tiếp.)

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 28 to 35.How is the news different from entertainment? Most people would answer that news is real but entertainment is fiction. However, if we think more carefully about the news, it becomes clear that the news is not always real. The news does not show us all the events of the day, but stories from a small number of chosen events. The creation of news...
Đọc tiếp

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 28 to 35.

How is the news different from entertainment? Most people would answer that news is real but entertainment is fiction. However, if we think more carefully about the news, it becomes clear that the news is not always real. The news does not show us all the events of the day, but stories from a small number of chosen events. The creation of news stories is subject to specific constraints, much like the creation of works of fiction. There are many constraints, but three of the most important ones are: commercialism, story formulas, and sources.

Newspapers, radio, and TV stations are businesses, all of which are rivals for audiences and advertising revenue. The amount of time that the average TV station spends on news broadcasts has grown steadily over the last fifty years - largely because news is relatively cheap to produce, yet sells plenty of advertising. Some news broadcasts are themselves becoming advertisements. For example, during one week in 1996 when the American CBS network was airing a movie about the sinking of the Titanic, CBS news ran nine stories about that event (which had happened 84 years before). The ABC network is owned by Disney Studios, and frequently runs news stories about Mickey Mouse. Furthermore, the profit motive drives news organizations to pay more attention to stories likely to generate a large audience, and to shy away from stories that may be important but dull. This pressure to be entertaining has produced shorter, simpler stories: more focus on celebrities than people of substance, more focus on gossip than on news, and more focus on dramatic events than on nuanced issues.

As busy people under relentless pressure to produce, journalists cannot spend days agonizing over the best way to present stories. Instead, they depend upon certain story formulas, which they can reuse again and again. One example is known as the inverted pyramid. In this formula, the journalist puts the most important information at the beginning of the story, than adds the next most important, and so on. The inverted pyramid originates from the age of the telegraph, the idea being that if the line went dead halfway through the story, the journalist would know that the most crucial information had at least been relayed. Modern journalists still value the formula for a similar reason. Their editors will cut stories if they are too long. Another formula involves reducing a complicated story into a simple conflict. The best example is "horse race" election coverage. Thorough explication of the issues and the candidates' views is forbiddingly complex. Journalists therefore concentrate more on who is winning in the opinion polls, and whether the underdog can catch up in the numbers than on politicians' campaign goals.

Sources are another constraint on what journalists cover and how they cover it. The dominant sources for news are public information officers in businesses and government offices. The majority of such officers try to establish themselves as experts who are qualified to feed information to journalists. How do journalists know who is an expert? In general, they don't. They use sources not on the basis of actual expertise, but on the appearance of expertise and the willingness to share it. All the major news organizations use some of the same sources (many of them anonymous), so the same types of stories always receive attention. Over time, the journalists may even become close friends with their sources, and they stop searching for alternative points of view. The result tends to be narrow, homogenized coverage of the same kind.

According to paragraph 3, an advantage of the inverted pyramid formula for journalists is that _____

A. if a story is cut by the editor, only the less crucial information will be lost

B. it makes a story more likely to be cut by the editor

C. it makes a story more likely to attract the attention of the audience

D. it makes a story simpler and easier to understand

1
28 tháng 2 2018

Đáp án A

Theo đoạn 3, lợi thế của công thức kim tự tháp ngược cho các nhà báo là _____.

A. nếu một câu chuyện được cắt bởi biên tập viên, chỉ có những thông tin ít quan trọng hơn sẽ bị mất

B. nó làm cho một câu chuyện có nhiều khả năng bị cắt bởi biên tập viên

C. làm cho một câu chuyện để thu hút sự chủ ý của khán giả

D. nó làm cho một câu chuyện đơn giản hơn và dễ hiểu hơn

Căn cứ vào thông tin sau:

“Instead, they depend upon certain story formulas, which they can reuse again and again. One example is known as the inverted pyramid. In this formula, the journalist puts the most important information at the beginning of the story, than adds the next most important, and so on.”

(Thay vào đó, họ phụ thuộc vào các công thức câu chuyện nhất định mà chúng có thể sử dụng lại. Một ví dụ được gọi là kim tự tháp đảo ngược. Trong công thức này, nhà báo đưa ra những thông tin quan trọng nhất ở phần đầu của câu chuyện, hơn là thêm vào phần quan trọng tiếp theo, …)

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 28 to 35.How is the news different from entertainment? Most people would answer that news is real but entertainment is fiction. However, if we think more carefully about the news, it becomes clear that the news is not always real. The news does not show us all the events of the day, but stories from a small number of chosen events. The creation of news...
Đọc tiếp

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 28 to 35.

How is the news different from entertainment? Most people would answer that news is real but entertainment is fiction. However, if we think more carefully about the news, it becomes clear that the news is not always real. The news does not show us all the events of the day, but stories from a small number of chosen events. The creation of news stories is subject to specific constraints, much like the creation of works of fiction. There are many constraints, but three of the most important ones are: commercialism, story formulas, and sources.

Newspapers, radio, and TV stations are businesses, all of which are rivals for audiences and advertising revenue. The amount of time that the average TV station spends on news broadcasts has grown steadily over the last fifty years - largely because news is relatively cheap to produce, yet sells plenty of advertising. Some news broadcasts are themselves becoming advertisements. For example, during one week in 1996 when the American CBS network was airing a movie about the sinking of the Titanic, CBS news ran nine stories about that event (which had happened 84 years before). The ABC network is owned by Disney Studios, and frequently runs news stories about Mickey Mouse. Furthermore, the profit motive drives news organizations to pay more attention to stories likely to generate a large audience, and to shy away from stories that may be important but dull. This pressure to be entertaining has produced shorter, simpler stories: more focus on celebrities than people of substance, more focus on gossip than on news, and more focus on dramatic events than on nuanced issues.

As busy people under relentless pressure to produce, journalists cannot spend days agonizing over the best way to present stories. Instead, they depend upon certain story formulas, which they can reuse again and again. One example is known as the inverted pyramid. In this formula, the journalist puts the most important information at the beginning of the story, than adds the next most important, and so on. The inverted pyramid originates from the age of the telegraph, the idea being that if the line went dead halfway through the story, the journalist would know that the most crucial information had at least been relayed. Modern journalists still value the formula for a similar reason. Their editors will cut stories if they are too long. Another formula involves reducing a complicated story into a simple conflict. The best example is "horse race" election coverage. Thorough explication of the issues and the candidates' views is forbiddingly complex. Journalists therefore concentrate more on who is winning in the opinion polls, and whether the underdog can catch up in the numbers than on politicians' campaign goals.

Sources are another constraint on what journalists cover and how they cover it. The dominant sources for news are public information officers in businesses and government offices. The majority of such officers try to establish themselves as experts who are qualified to feed information to journalists. How do journalists know who is an expert? In general, they don't. They use sources not on the basis of actual expertise, but on the appearance of expertise and the willingness to share it. All the major news organizations use some of the same sources (many of them anonymous), so the same types of stories always receive attention. Over time, the journalists may even become close friends with their sources, and they stop searching for alternative points of view. The result tends to be narrow, homogenized coverage of the same kind.

It can be inferred from paragraph 1 that the author of the passage thinks _____.

A. that watching or reading the news is extremely boring

B. that most news stories are false

C. that most people don't realize how different news is from reality

D. that most people don't pay enough attention to the news

1
8 tháng 5 2017

Đáp án C

CHỦ ĐỀ RECREATIONS

Có thể suy luận từ đoạn 1 rằng tác giả của đoạn văn nghĩ _____

A. xem hoặc đọc tin tức là rất nhàm chán

B. rằng hầu hết các câu chuyện tin tức là sai

C. hầu hết mọi người không nhân ra những tin tức khác nhau từ thực tế như thế nào

D. rằng hầu hết mọi người không chú ý đến tin tức

Căn cứ vào thông tin sau:

“How is the news different from entertainment? Most people would answer that news is real but entertainment is fiction. However, if we think more carefully about the news, it becomes clear that the news is not always real." (Tin tức khác với giải trí như thế nào? Hầu hết mọi người sẽ trả lời rằng tin tức là có thật nhưng giải trí là hư cấu. Tuy nhiên, nếu chúng ta suy nghĩ cẩn thận hơn về tin tức, rõ ràng là tin tức không phải lúc nào cũng thực.)

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 28 to 35.How is the news different from entertainment? Most people would answer that news is real but entertainment is fiction. However, if we think more carefully about the news, it becomes clear that the news is not always real. The news does not show us all the events of the day, but stories from a small number of chosen events. The creation of news...
Đọc tiếp

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 28 to 35.

How is the news different from entertainment? Most people would answer that news is real but entertainment is fiction. However, if we think more carefully about the news, it becomes clear that the news is not always real. The news does not show us all the events of the day, but stories from a small number of chosen events. The creation of news stories is subject to specific constraints, much like the creation of works of fiction. There are many constraints, but three of the most important ones are: commercialism, story formulas, and sources.

Newspapers, radio, and TV stations are businesses, all of which are rivals for audiences and advertising revenue. The amount of time that the average TV station spends on news broadcasts has grown steadily over the last fifty years - largely because news is relatively cheap to produce, yet sells plenty of advertising. Some news broadcasts are themselves becoming advertisements. For example, during one week in 1996 when the American CBS network was airing a movie about the sinking of the Titanic, CBS news ran nine stories about that event (which had happened 84 years before). The ABC network is owned by Disney Studios, and frequently runs news stories about Mickey Mouse. Furthermore, the profit motive drives news organizations to pay more attention to stories likely to generate a large audience, and to shy away from stories that may be important but dull. This pressure to be entertaining has produced shorter, simpler stories: more focus on celebrities than people of substance, more focus on gossip than on news, and more focus on dramatic events than on nuanced issues.

As busy people under relentless pressure to produce, journalists cannot spend days agonizing over the best way to present stories. Instead, they depend upon certain story formulas, which they can reuse again and again. One example is known as the inverted pyramid. In this formula, the journalist puts the most important information at the beginning of the story, than adds the next most important, and so on. The inverted pyramid originates from the age of the telegraph, the idea being that if the line went dead halfway through the story, the journalist would know that the most crucial information had at least been relayed. Modern journalists still value the formula for a similar reason. Their editors will cut stories if they are too long. Another formula involves reducing a complicated story into a simple conflict. The best example is "horse race" election coverage. Thorough explication of the issues and the candidates' views is forbiddingly complex. Journalists therefore concentrate more on who is winning in the opinion polls, and whether the underdog can catch up in the numbers than on politicians' campaign goals.

Sources are another constraint on what journalists cover and how they cover it. The dominant sources for news are public information officers in businesses and government offices. The majority of such officers try to establish themselves as experts who are qualified to feed information to journalists. How do journalists know who is an expert? In general, they don't. They use sources not on the basis of actual expertise, but on the appearance of expertise and the willingness to share it. All the major news organizations use some of the same sources (many of them anonymous), so the same types of stories always receive attention. Over time, the journalists may even become close friends with their sources, and they stop searching for alternative points of view. The result tends to be narrow, homogenized coverage of the same kind.

The word "them" in paragraph 4 refers to _____.

A. journalists

B. organizations

C. experts

D. sources

1
14 tháng 11 2018

Đáp án D

Từ “them” trong đoạn 4 để cập tới?

A. các nhà báo               B. các tổ chức        C. các chuyên gia           D. các nguồn

Căn cứ vào thông tin sau:

“All the major news organizations use some of the same sources (many of them anonymous), so the same types of stories always receive attention (Tất cả các tổ chức tin tức lớn sử dụng một số nguồn giống nhau (nhiều nguồn vô danh), vì vậy cùng một loại câu chuyện luôn được chú ý.)

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 28 to 35.How is the news different from entertainment? Most people would answer that news is real but entertainment is fiction. However, if we think more carefully about the news, it becomes clear that the news is not always real. The news does not show us all the events of the day, but stories from a small number of chosen events. The creation of news...
Đọc tiếp

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 28 to 35.

How is the news different from entertainment? Most people would answer that news is real but entertainment is fiction. However, if we think more carefully about the news, it becomes clear that the news is not always real. The news does not show us all the events of the day, but stories from a small number of chosen events. The creation of news stories is subject to specific constraints, much like the creation of works of fiction. There are many constraints, but three of the most important ones are: commercialism, story formulas, and sources.

Newspapers, radio, and TV stations are businesses, all of which are rivals for audiences and advertising revenue. The amount of time that the average TV station spends on news broadcasts has grown steadily over the last fifty years - largely because news is relatively cheap to produce, yet sells plenty of advertising. Some news broadcasts are themselves becoming advertisements. For example, during one week in 1996 when the American CBS network was airing a movie about the sinking of the Titanic, CBS news ran nine stories about that event (which had happened 84 years before). The ABC network is owned by Disney Studios, and frequently runs news stories about Mickey Mouse. Furthermore, the profit motive drives news organizations to pay more attention to stories likely to generate a large audience, and to shy away from stories that may be important but dull. This pressure to be entertaining has produced shorter, simpler stories: more focus on celebrities than people of substance, more focus on gossip than on news, and more focus on dramatic events than on nuanced issues.

As busy people under relentless pressure to produce, journalists cannot spend days agonizing over the best way to present stories. Instead, they depend upon certain story formulas, which they can reuse again and again. One example is known as the inverted pyramid. In this formula, the journalist puts the most important information at the beginning of the story, than adds the next most important, and so on. The inverted pyramid originates from the age of the telegraph, the idea being that if the line went dead halfway through the story, the journalist would know that the most crucial information had at least been relayed. Modern journalists still value the formula for a similar reason. Their editors will cut stories if they are too long. Another formula involves reducing a complicated story into a simple conflict. The best example is "horse race" election coverage. Thorough explication of the issues and the candidates' views is forbiddingly complex. Journalists therefore concentrate more on who is winning in the opinion polls, and whether the underdog can catch up in the numbers than on politicians' campaign goals.

Sources are another constraint on what journalists cover and how they cover it. The dominant sources for news are public information officers in businesses and government offices. The majority of such officers try to establish themselves as experts who are qualified to feed information to journalists. How do journalists know who is an expert? In general, they don't. They use sources not on the basis of actual expertise, but on the appearance of expertise and the willingness to share it. All the major news organizations use some of the same sources (many of them anonymous), so the same types of stories always receive attention. Over time, the journalists may even become close friends with their sources, and they stop searching for alternative points of view. The result tends to be narrow, homogenized coverage of the same kind.

Why does the author mention Mickey Mouse in paragraph 2?

A. To indicate that ABC shows entertaining news stories

B. To give an example of news stories that are also advertisements

C. To contrast ABC's style with that of CBS

D. To give an example of news content that is not serious

1
19 tháng 5 2018

Đáp án B

Tại sao tác giả đề cập đến Mickey Mouse trong đoạn 2?

A. Để chỉ ra rằng ABC hiển thị các câu chuyện tin tức giải trí.

B. Để đưa ra một ví dụ về các câu chuyện tin tức cũng là quảng cáo.

C. So sánh phong cách ABC với phong cách của CBS.

D. Để đưa ra một ví dụ về nội dung tin tức không nghiêm trọng.

Căn cứ vào thông tin sau:

“Some news broadcasts are themselves becoming advertisements. For example, during one week in 1996 when the American CBS network was airing a movie about the sinking of the Titanic, CBS news ran nine stories about that event (which had happened 84 years before). The ABC network is owned by Disney Studios, and frequently runs news stories about Mickey Mouse." (Một số chương trình phát sóng tin tức đã trở thành quảng cáo. Chẳng hạn, trong một tuần vào năm 1996 khi mạng CBS của Mỹ phát sóng một bộ phim về vụ chìm tàu Titanic, tin tức của CBS đã đưa ra 9 câu chuyện về sự kiện đó (đã xảy ra 84 năm trước). Mạng ABC thuộc sở hữu của Disney Studios, và thường xuyên chạy các tin tức về Mickey Mouse.)

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 28 to 35.How is the news different from entertainment? Most people would answer that news is real but entertainment is fiction. However, if we think more carefully about the news, it becomes clear that the news is not always real. The news does not show us all the events of the day, but stories from a small number of chosen events. The creation of news...
Đọc tiếp

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 28 to 35.

How is the news different from entertainment? Most people would answer that news is real but entertainment is fiction. However, if we think more carefully about the news, it becomes clear that the news is not always real. The news does not show us all the events of the day, but stories from a small number of chosen events. The creation of news stories is subject to specific constraints, much like the creation of works of fiction. There are many constraints, but three of the most important ones are: commercialism, story formulas, and sources.

Newspapers, radio, and TV stations are businesses, all of which are rivals for audiences and advertising revenue. The amount of time that the average TV station spends on news broadcasts has grown steadily over the last fifty years - largely because news is relatively cheap to produce, yet sells plenty of advertising. Some news broadcasts are themselves becoming advertisements. For example, during one week in 1996 when the American CBS network was airing a movie about the sinking of the Titanic, CBS news ran nine stories about that event (which had happened 84 years before). The ABC network is owned by Disney Studios, and frequently runs news stories about Mickey Mouse. Furthermore, the profit motive drives news organizations to pay more attention to stories likely to generate a large audience, and to shy away from stories that may be important but dull. This pressure to be entertaining has produced shorter, simpler stories: more focus on celebrities than people of substance, more focus on gossip than on news, and more focus on dramatic events than on nuanced issues.

As busy people under relentless pressure to produce, journalists cannot spend days agonizing over the best way to present stories. Instead, they depend upon certain story formulas, which they can reuse again and again. One example is known as the inverted pyramid. In this formula, the journalist puts the most important information at the beginning of the story, than adds the next most important, and so on. The inverted pyramid originates from the age of the telegraph, the idea being that if the line went dead halfway through the story, the journalist would know that the most crucial information had at least been relayed. Modern journalists still value the formula for a similar reason. Their editors will cut stories if they are too long. Another formula involves reducing a complicated story into a simple conflict. The best example is "horse race" election coverage. Thorough explication of the issues and the candidates' views is forbiddingly complex. Journalists therefore concentrate more on who is winning in the opinion polls, and whether the underdog can catch up in the numbers than on politicians' campaign goals.

Sources are another constraint on what journalists cover and how they cover it. The dominant sources for news are public information officers in businesses and government offices. The majority of such officers try to establish themselves as experts who are qualified to feed information to journalists. How do journalists know who is an expert? In general, they don't. They use sources not on the basis of actual expertise, but on the appearance of expertise and the willingness to share it. All the major news organizations use some of the same sources (many of them anonymous), so the same types of stories always receive attention. Over time, the journalists may even become close friends with their sources, and they stop searching for alternative points of view. The result tends to be narrow, homogenized coverage of the same kind.

According to the passage, which of the following tends to lead to homogenized coverage?

A. Journalists' use of experts as sources

B. Journalists' becoming friends with their sources

C. Journalists' search for alternative points of view

D. Journalists' using government officials as sources

1
4 tháng 4 2019

Đáp án B

Theo đoạn văn, điều nào sau đây có xu hướng dẫn đến sự bao phủ đồng nhất?

A. Các nhà báo sử dụng các chuyên gia làm nguồn.

B. Các nhà báo trở thành bạn với nguồn của chúng.

C. Các nhà báo tìm kiếm các quan điểm thay thế.

D. Các nhà báo sử dụng các quan chức chính phủ làm nguồn.

Căn cứ vào thông tin sau:

"Over time, the journalists may even become close friends with their sources, and they stop searching for alternative points of View. The result tends to be narrow, homogenized coverage of the same kind. " (Theo thời gian, các nhà báo thậm chí có thể trở thành bạn thân với nguồn của họ, và họ ngừng tìm kiếm các điểm thay thế xem. Kết quả có xu hướng thu hẹp, đồng nhất hóa phạm vi bao quát của cùng một loại.)

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 28 to 35.How is the news different from entertainment? Most people would answer that news is real but entertainment is fiction. However, if we think more carefully about the news, it becomes clear that the news is not always real. The news does not show us all the events of the day, but stories from a small number of chosen events. The creation of news...
Đọc tiếp

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 28 to 35.

How is the news different from entertainment? Most people would answer that news is real but entertainment is fiction. However, if we think more carefully about the news, it becomes clear that the news is not always real. The news does not show us all the events of the day, but stories from a small number of chosen events. The creation of news stories is subject to specific constraints, much like the creation of works of fiction. There are many constraints, but three of the most important ones are: commercialism, story formulas, and sources.

Newspapers, radio, and TV stations are businesses, all of which are rivals for audiences and advertising revenue. The amount of time that the average TV station spends on news broadcasts has grown steadily over the last fifty years - largely because news is relatively cheap to produce, yet sells plenty of advertising. Some news broadcasts are themselves becoming advertisements. For example, during one week in 1996 when the American CBS network was airing a movie about the sinking of the Titanic, CBS news ran nine stories about that event (which had happened 84 years before). The ABC network is owned by Disney Studios, and frequently runs news stories about Mickey Mouse. Furthermore, the profit motive drives news organizations to pay more attention to stories likely to generate a large audience, and to shy away from stories that may be important but dull. This pressure to be entertaining has produced shorter, simpler stories: more focus on celebrities than people of substance, more focus on gossip than on news, and more focus on dramatic events than on nuanced issues.

As busy people under relentless pressure to produce, journalists cannot spend days agonizing over the best way to present stories. Instead, they depend upon certain story formulas, which they can reuse again and again. One example is known as the inverted pyramid. In this formula, the journalist puts the most important information at the beginning of the story, than adds the next most important, and so on. The inverted pyramid originates from the age of the telegraph, the idea being that if the line went dead halfway through the story, the journalist would know that the most crucial information had at least been relayed. Modern journalists still value the formula for a similar reason. Their editors will cut stories if they are too long. Another formula involves reducing a complicated story into a simple conflict. The best example is "horse race" election coverage. Thorough explication of the issues and the candidates' views is forbiddingly complex. Journalists therefore concentrate more on who is winning in the opinion polls, and whether the underdog can catch up in the numbers than on politicians' campaign goals.

Sources are another constraint on what journalists cover and how they cover it. The dominant sources for news are public information officers in businesses and government offices. The majority of such officers try to establish themselves as experts who are qualified to feed information to journalists. How do journalists know who is an expert? In general, they don't. They use sources not on the basis of actual expertise, but on the appearance of expertise and the willingness to share it. All the major news organizations use some of the same sources (many of them anonymous), so the same types of stories always receive attention. Over time, the journalists may even become close friends with their sources, and they stop searching for alternative points of view. The result tends to be narrow, homogenized coverage of the same kind.

According to paragraph 2, which of the following is true?

A. One effect of commercialism is news stories with more complex content.

B. The ABC network owns Disney Studios.

C. Some news broadcasts are shown without advertisements.

D. More time is devoted to news on TV now than 50 years ago.

1
27 tháng 9 2017

Đáp án D

Theo đoạn 2, điều nào sau đây là đúng?

A. Một ảnh hướng của chủ nghĩa thương mại là những câu chuyện tin tức có nội dung phức tạp hơn.

B. Mạng ABC sở hữu Disney Studios.

C. Một số chương trình phát sóng tin tức được chiếu mà không có quảng cáo.

D. Nhiều thời gian dành cho tin tức trên truyền hình hơn 50 năm trước đây.

Căn cứ vào thông tin sau:

"The amount of time that the average TV station spends on news broadcasts has grown steadily over the last fifty years - largely because news is relatively cheap to produce, yet sells plenty of advertising.” (Lượng thời gian mà đài truyền hình trung bình dành cho việc phát sóng tin tức đã tăng đều trong năm mươi năm qua - phần lớn bởi vì tin tức là tương đối rẻ để sản xuất, nhưng lại bán nhiều quảng cáo.)