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VII. Read the following passage and complete the given tasks. Gongs of the MuongGongs are musical instruments made of brass and bronze. A set includes 12 gongs of three types with different names, sizes and tones. Chot gongs are 20-30 cm in diameter and produce a high tone. Bong gongs, which are 40-50 cm in diameter, produce middle tone. The largest are dam gongs, which are 60-90, or sometimes even 100 cm in diameter and produce a bass tone.Gongs and sac bua songs are played by women during New...
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VII. Read the following passage and complete the given tasks.

Gongs of the Muong

Gongs are musical instruments made of brass and bronze. A set includes 12 gongs of three types with different names, sizes and tones. Chot gongs are 20-30 cm in diameter and produce a high tone. Bong gongs, which are 40-50 cm in diameter, produce middle tone. The largest are dam gongs, which are 60-90, or sometimes even 100 cm in diameter and produce a bass tone.

Gongs and sac bua songs are played by women during New Year festivals, weddings or funerals, though sometimes men and women play together. Each musician plays one gong, holding its trap and using a wooden mallet with a cloth covered tip to beat at the center of the gong.

Gongs are both valuable possessions and musical instruments of the Muong. In the past, noble Muong families used several sets of gongs at one time to celebrate important events.

A. Decide if the following statements are TRUE or FALSE.

1.            A set of gongs includes 10 gongs.

2.            The largest gongs are called “bong”.

3.            Gongs are played during New Year festivals, wedding or funerals.

4.            Sometimes, both men and women play gongs together. B. Answer the following questions.

1.  What are gongs made of?

…………………………………………………………………………………………………………………………….

2.  Which tone do chot gongs produce?

…………………………………………………………………………………………………………………………….

3.  Who used several sets of gongs at one time to celebrate important events in the past?

……………………………………………………………………………………………………………………………. 

1
29 tháng 11 2021

Gongs of the Muong

Gongs are musical instruments made of brass and bronze. A set includes 12 gongs of three types with different names, sizes and tones. Chot gongs are 20-30 cm in diameter and produce a high tone. Bong gongs, which are 40-50 cm in diameter, produce middle tone. The largest are dam gongs, which are 60-90, or sometimes even 100 cm in diameter and produce a bass tone.

Gongs and sac bua songs are played by women during New Year festivals, weddings or funerals, though sometimes men and women play together. Each musician plays one gong, holding its trap and using a wooden mallet with a cloth covered tip to beat at the center of the gong.

Gongs are both valuable possessions and musical instruments of the Muong. In the past, noble Muong families used several sets of gongs at one time to celebrate important events.

A. Decide if the following statements are TRUE or FALSE.

1.            A set of gongs includes 10 gongs. F

2.            The largest gongs are called “bong”. F

3.            Gongs are played during New Year festivals, wedding or funerals. T

4.            Sometimes, both men and women play gongs together. T

B. Answer the following questions.

1.  What are gongs made of?

…………Gongs are made of brass and bronze.………………………………………………………………………………………………………………….

2.  Which tone do chot gongs produce?

………They produce a high tone……………………………………………………………………………………………………………….

3.  Who used several sets of gongs at one time to celebrate important events in the past?

…………Muong families…………………………………………………………………………………………………………………. 

1. Gong culture can be found in ___________. A. Kon Tum B. Kon Tum and Gia Lai C. Central Highlands D. highlands in Viet Nam 2. It is though that the gong sounds can help us _____________. A. have a relation with the gods B. enjoy ourselves C. communicate with nature D. harvest crops 3. All of the following statements are true except that ___________. A. the matter whether males or females play gongs depends on the ethnic groups B. the diameter of gongs can be varied C. a set of gongs...
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1. Gong culture can be found in ___________. A. Kon Tum B. Kon Tum and Gia Lai C. Central Highlands D. highlands in Viet Nam 2. It is though that the gong sounds can help us _____________. A. have a relation with the gods B. enjoy ourselves C. communicate with nature D. harvest crops 3. All of the following statements are true except that ___________. A. the matter whether males or females play gongs depends on the ethnic groups B. the diameter of gongs can be varied C. a set of gongs is not more than 10 units D. the gongs are made of bronze 4. Gongs are believed to have a sacred power because ___________. A. the gong is older than a god B. a god will make gongs more powerful C. the statement was made D. they are associated to all events in one’s life 5. The word “inauguration” in paragraph 4 is closest in meaning to _______. A. building B. finding C. sale D. opening The space of gong culture in Central Highlands of Viet Nam covers 5 provinces of Kon Tum, Gia Lai, Dak Lak, Dak Nong and Lam Dong. The masters of gong culture are the ethnic groups of Ba Na, Xo Dang, M’Nong, Co Ho, Ro Mam, E De, Giarai… The gong performances are always closely tied to community cultural rituals and ceremonies of
the ethnic groups in Central Highlands. Many researchers have classified gongs as ceremonial musical instrument and the gong sounds as a means to communicate with deities and gods.
The gongs are made of bronze. Their diameter is from 20 cm to 60cm or from 90cm to 120cm. A set of gongs consists of 2 to 12 or 13 units and even to 18 or 20 units in some places.
In most of the ethnic groups, namely Giarai, Ede Kpah, Ba Na, Xo Dang, Brau, Co Ho, etc., only males are allowed to play gongs. However, in others such as Ma and M’Nong groups, both males and females can play gongs. Few ethnic groups (for example, E de Bih), gongs are performed by women only.
As for the majority of ethnic groups in Central Highlands, gongs are musical instruments of sacred power. It is believed that every gong is the settlement of a god who gets more powerful as the gong is older. Therefore, gongs are associated to all events in one’s life, such as the inauguration of new houses, funerals, buffalo sacrifice, new harvest, ceremony to pray for people’s and cattle’s health, ceremony to see off soldiers to the front, and the victory celebration.
1
19 tháng 2 2020

1. Gong culture can be found in ___________. A. Kon Tum B. Kon Tum and Gia Lai C. Central Highlands D. highlands in Viet Nam

2. It is though that the gong sounds can help us _____________. A. have a relation with the gods B. enjoy ourselves C. communicate with nature D. harvest crops

3. All of the following statements are true except that ___________.

A. the matter whether males or females play gongs depends on the ethnic groups B. the diameter of gongs can be varied C. a set of gongs is not more than 10 units D. the gongs are made of bronze

4. Gongs are believed to have a sacred power because ___________. A. the gong is older than a god B. a god will make gongs more powerful C. the statement was made D. they are associated to all events in one’s life

5. The word “inauguration” in paragraph 4 is closest in meaning to _______. A. building B. finding C. sale D. opening

The space of gong culture in Central Highlands of Viet Nam covers 5 provinces of Kon Tum, Gia Lai, Dak Lak, Dak Nong and Lam Dong. The masters of gong culture are the ethnic groups of Ba Na, Xo Dang, M’Nong, Co Ho, Ro Mam, E De, Giarai… The gong performances are always closely tied to community cultural rituals and ceremonies of
the ethnic groups in Central Highlands. Many researchers have classified gongs as ceremonial musical instrument and the gong sounds as a means to communicate with deities and gods.
The gongs are made of bronze. Their diameter is from 20 cm to 60cm or from 90cm to 120cm. A set of gongs consists of 2 to 12 or 13 units and even to 18 or 20 units in some places.
In most of the ethnic groups, namely Giarai, Ede Kpah, Ba Na, Xo Dang, Brau, Co Ho, etc., only males are allowed to play gongs. However, in others such as Ma and M’Nong groups, both males and females can play gongs. Few ethnic groups (for example, E de Bih), gongs are performed by women only.
As for the majority of ethnic groups in Central Highlands, gongs are musical instruments of sacred power. It is believed that every gong is the settlement of a god who gets more powerful as the gong is older. Therefore, gongs are associated to all events in one’s life, such as the inauguration of new houses, funerals, buffalo sacrifice, new harvest, ceremony to pray for people’s and cattle’s health, ceremony to see off soldiers to the front, and the victory celebration.

29 tháng 5 2019

Đáp án: groups

18 tháng 7 2018

Đáp án: musical

21 tháng 5 2017

Đáp án: Therefore

27 tháng 12 2017

Đáp án: more

13 tháng 11 2019

Đáp án: communicate

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions.   Composers today use a wider variety of sounds than ever before, including many that were once considered undesirable noises. Composer Edgard Varese (1883-1965) called thus the "liberation of sound...the right to make music with any and all sounds." Electronic music, for example - made with the aid of computers, synthesizers, and electronic instruments -...
Đọc tiếp

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions.

  Composers today use a wider variety of sounds than ever before, including many that were once considered undesirable noises. Composer Edgard Varese (1883-1965) called thus the "liberation of sound...the right to make music with any and all sounds." Electronic music, for example - made with the aid of computers, synthesizers, and electronic instruments - may include sounds that in the past would not have been considered musical.

  Environmental sounds, such as thunder, and electronically generated hisses and blips can be recorded, manipulated, and then incorporated into a musical composition. But composers also draw novel sounds from voices and non-electronic instruments. Singers may be asked to scream, laugh, groan, sneeze, or to sing phonetic sounds rather than words. Wind and string players may lap or scrape their instruments A brass or woodwind player may hum while playing, to produce two pitches at once; a pianist may reach inside the piano to pluck a string and then run a metal blade along it. In the music of the Western world, the greatest expansion and experimentation have involved percussion instruments, which outnumber strings and winds in many recent compositions. Traditional percussion instruments are struck with new types of beaters; and instruments that used to be couriered unconventional in Western music - tom-toms, bongos, slapsticks, maracas - are widely used.

          In the search for novel sounds, increased use has been made in Western music of Microtones. Non- Western music typically divides and intervals between two pitches more finely than Western music does, thereby producing a greater number of distinct tones or micro tones, within the same interval. Composers such as Krzysztof Penderecki create sound that borders on electronic noise through tone clusters - closely spaced tones played together and heard as a mass, block, or band of sound. The directional aspect of sound has taken on new importance as well Loudspeakers or groups of instruments may be placed at opposite ends of the stage, in the balcony, or at the back and sides of the auditorium. Because standard music notation makes no provision for many of these innovations, recent music scores may contain graph like diagrams, new note shapes and symbols, and novel ways of arranging notation on the page.

According to the passage, which of the following types of instruments has played a role in much of the innovation in Western music?

A. String

B. Percussion

C. Woodwind

D. Brass

1
5 tháng 9 2017

Đáp án B.

Key words: Jype, instruments, innovation, Western music.

Clue: “In the music of the Western world, the greatest expansion and experimentation have involved percussion instruments, which outnumber strings and winds in many recent compositions”: Trong âm nhạc ở phương tây, sự mở rộng và thử nghiệm lớn nhất là ở nhạc cụ gõ, mà được sử dụng nhiều hơn cả nhạc cụ dây và gió trong các tác phẩm gần đây. Vậy nhạc cụ gõ thì đã đóng góp vai trò trong việc phát triển âm nhạc phương Tây, nhiều hơn cả nhạc cụ dây và gió. Đáp án B. Percussion là phù hợp.

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions.   Composers today use a wider variety of sounds than ever before, including many that were once considered undesirable noises. Composer Edgard Varese (1883-1965) called thus the "liberation of sound...the right to make music with any and all sounds." Electronic music, for example - made with the aid of computers, synthesizers, and electronic instruments -...
Đọc tiếp

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions.

  Composers today use a wider variety of sounds than ever before, including many that were once considered undesirable noises. Composer Edgard Varese (1883-1965) called thus the "liberation of sound...the right to make music with any and all sounds." Electronic music, for example - made with the aid of computers, synthesizers, and electronic instruments - may include sounds that in the past would not have been considered musical.

  Environmental sounds, such as thunder, and electronically generated hisses and blips can be recorded, manipulated, and then incorporated into a musical composition. But composers also draw novel sounds from voices and non-electronic instruments. Singers may be asked to scream, laugh, groan, sneeze, or to sing phonetic sounds rather than words. Wind and string players may lap or scrape their instruments A brass or woodwind player may hum while playing, to produce two pitches at once; a pianist may reach inside the piano to pluck a string and then run a metal blade along it. In the music of the Western world, the greatest expansion and experimentation have involved percussion instruments, which outnumber strings and winds in many recent compositions. Traditional percussion instruments are struck with new types of beaters; and instruments that used to be couriered unconventional in Western music - tom-toms, bongos, slapsticks, maracas - are widely used.

          In the search for novel sounds, increased use has been made in Western music of Microtones. Non- Western music typically divides and intervals between two pitches more finely than Western music does, thereby producing a greater number of distinct tones or micro tones, within the same interval. Composers such as Krzysztof Penderecki create sound that borders on electronic noise through tone clusters - closely spaced tones played together and heard as a mass, block, or band of sound. The directional aspect of sound has taken on new importance as well Loudspeakers or groups of instruments may be placed at opposite ends of the stage, in the balcony, or at the back and sides of the auditorium. Because standard music notation makes no provision for many of these innovations, recent music scores may contain graph like diagrams, new note shapes and symbols, and novel ways of arranging notation on the page.

According to the passage, Krzysztof Penderecki is known for which of the following practices?

A. Using tones that are clumped together

B. Combining traditional and nontraditional instruments

C. Seating musicians in unusual areas of an auditorium

D. Playing Western music for non-Westem audiences

1
11 tháng 1 2019

Đáp án A.

Key words: Krzysztof Penderecki, practice.

Clue: “Composers such as Krzysztof Penderecki create sound that borders on electronic noise through tone clusters - closely spaced tones played together and heard as a mass, block, or band of sound”: Những nhà soạn nhạc như Krzysztof Penderecki đã tạo ra âm thanh mà giáp nhiễu điện tử thông qua các cụm tông - tông gần nhau được chơi cùng nhau và nghe như một mảng, một khối hay một nhóm các âm thanh. Vậy ông được biết đến là người đã sử dụng các cụm tổng kết họp với nhau thành một khối, một nhóm. Đáp án A. Using tones that are clumped together là phù hp.

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions.   Composers today use a wider variety of sounds than ever before, including many that were once considered undesirable noises. Composer Edgard Varese (1883-1965) called thus the "liberation of sound...the right to make music with any and all sounds." Electronic music, for example - made with the aid of computers, synthesizers, and electronic instruments -...
Đọc tiếp

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions.

  Composers today use a wider variety of sounds than ever before, including many that were once considered undesirable noises. Composer Edgard Varese (1883-1965) called thus the "liberation of sound...the right to make music with any and all sounds." Electronic music, for example - made with the aid of computers, synthesizers, and electronic instruments - may include sounds that in the past would not have been considered musical.

  Environmental sounds, such as thunder, and electronically generated hisses and blips can be recorded, manipulated, and then incorporated into a musical composition. But composers also draw novel sounds from voices and non-electronic instruments. Singers may be asked to scream, laugh, groan, sneeze, or to sing phonetic sounds rather than words. Wind and string players may lap or scrape their instruments A brass or woodwind player may hum while playing, to produce two pitches at once; a pianist may reach inside the piano to pluck a string and then run a metal blade along it. In the music of the Western world, the greatest expansion and experimentation have involved percussion instruments, which outnumber strings and winds in many recent compositions. Traditional percussion instruments are struck with new types of beaters; and instruments that used to be couriered unconventional in Western music - tom-toms, bongos, slapsticks, maracas - are widely used.

          In the search for novel sounds, increased use has been made in Western music of Microtones. Non- Western music typically divides and intervals between two pitches more finely than Western music does, thereby producing a greater number of distinct tones or micro tones, within the same interval. Composers such as Krzysztof Penderecki create sound that borders on electronic noise through tone clusters - closely spaced tones played together and heard as a mass, block, or band of sound. The directional aspect of sound has taken on new importance as well Loudspeakers or groups of instruments may be placed at opposite ends of the stage, in the balcony, or at the back and sides of the auditorium. Because standard music notation makes no provision for many of these innovations, recent music scores may contain graph like diagrams, new note shapes and symbols, and novel ways of arranging notation on the page.

The passage suggests that Edgard Varese is an example of a composer who __________

A. criticized electronic music as too noise like

B. modified sonic of the electronic instruments he used in his music

C. believed that any sound could be used in music

D. wrote music with environmental themes

1
28 tháng 5 2017

Đáp án C.

Key words: Edgard Varese, composer.

Clue: “Composer Edgard Varese (1883-1965) called thus the "liberation of sound...the right to make music with any and all sounds”: Nhà soạn nhạc Edgard Varese (1883-1965), vì vậy gọi là “sự giải phóng âm thanh... cái quyền để tạo nên âm nhạc với bất cứ loại ảm thanh nào ”.

  A. criticized electronic music as too noiselike: Chỉ trích nhạc điện tử là thứ ging như tiếng ồn. Sai vì không có thông tin trong bài nói về việc ông chỉ trích nhạc điện tử.

  B. modified sonic of the electronic instruments he used in his music: giảm nhẹ âm thanh của thiết bị điện tử ông dùng trong âm nhạc. Sai vì không có thông tin trong bài.

  C. believed that any sound could be used in music:

Tin rằng bất cứ âm thanh nào cũng có th được dùng trong âm nhạc. Đúng, tham khảo clue.

 D. wrote music with environmental themes: Viết nhạc dựa trên nền tự nhiên. Sai vì không có thông tin trong bài nói về nguồn gốc các bài nhạc của ông.